Zuletzt | Recent
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| In Return | Aeon II |
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Open Spaces Festival | Berlin | 23.-26. Februar 2022 |
Tanzfabrik | Berlin | 5.-12. August 2021 |
Davor und Danach | Preview and Review
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| Marita Tatari writes about Narkosis | Aeon: Interessanteste Inszenierung 2020 | Andrej Mircev über Aeon II | Letter to Ixchel: On the Growing of a World |
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PERFORMANCE PHILOSOPHY | REVIEW 1.5.2022 |
TANZ MAGAZIN JAHRBUCH | REVIEW 2.1.2022 |
TANZSCHREIBER | REVIEW 17.8.2021 |
TEXT | LETTER 25.5.2020 |
Blog | Featured Post
Arbeiten | Works
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| Physis | Aeon III | In Return |
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| Aeon II | Aeon | Chora |
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| Choros VI | Choros V | Choros IV |
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| Narkosis | Narziss Echo | Choros III |
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| Choros II | Choros I | Festung / Europa |
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| So Gut Wie Genug | Ein Aufenthalt | Within the Interim |
Texte | Texts
| The Basic Principles of Relational Flow | MM | 2021 |
| Letter to Sergiu: On Ancient Theatre | MM | 2020 |
| Letter to Ixchel: On the Growing of a World | MM | 2020 |
| Letter to Jefta: On the Gaze | MM | 2020 |
| Letter to Asaf: On Multiple Attention | MM | 2020 |
| Choros, Chora, Aeon: Raummythentriologie 2016–2020 | Space Myth Trilogy 2016–2020 | MM + SM | 2020 |
| What Forms The Present? (Talk) | Marita Tatari + SM | 2020 |
| Niklaus Largier on Chora: Mesmerized | Niklaus Largier | 2020 |
| Chora – Textual Documentation | Beatrix Joyce | 2019 |
| Chora, Growing Time (Talk) | SM | 2019 |
| Neue Notizen zur Raumchoreographie | SM | 2019 |
| Note on Relating | SM | 2019 |
| International Notice Writing Group on Choros VI | International Notice | 2018 |
| A New Sensualism (Extended Version) | SM | 2018 |
| A New Sensualism | SM | 2018 |
| Raumdynamische Begegnungen. Moritz Majce und Sandra Man im Interview | MM + SM | 2018 |
| Notizen zum Zuschauen | Notes on Watching | MM + SM | 2017 |
| Notizen zu Choros III (Koroška) | Notes on Choros III (Koroška) | SM | 2017 |
| Narkosis – Plastizität der Gegenwart | Marita Tatari | 2017 |
| Raumchoreographie und Sprache | Space Choreography and Language | MM + SM | 2017 |
| Zu »Festung / Europa«, in: Kunstwerk als Handlung | Marita Tatari | 2017 |
| Raumchoreographie | Space Choreography | MM + SM | 2016 |
| Choreographie als Raumkunst | Choreography as Space Art | MM + SM | 2016 |
| Publikum ohne Gefühl und Verstand | SM | 2015 |
| Mitschriften | MM + SM | 2013 – 2017 |
| Apathie und Areal | Apathy and Areal | MM | 2011 |
| My Credos | MM | 2011 |
| Aussetzer am Betriebsgelände (AUSSCHNITT) | MM + SM | 2010 |
| Vom Sinn des Irgend | SM | 2006 |
| Eine ferne und flüchtige Welt | ? | ? |
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Kontakt | Contact |
Blog |
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Über | About |
| ms@moritzmajcesandraman.com | blog.moritzmajcesandraman.com | moritzmajcesandraman | Moritz Majce | Sandra Man |
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Copyright of all images and texts on this site belong to the artists unless otherwise indicated. All rights reserved. (2022) |